Mansfield Museum were doing a kids’ thing about the environment, so off we went. They loved it, though perhaps not as much as dressing up as astronauts next door in the space rockets section. I wandered off in the opposite direction and found myself immediately surrounded by the watercolour paintings of Albert Sorby Buxton. They were quite fetching – gentle, sympathetic, economical and relaxed. They portray a Mansfield that was fast disappearing by the first few years of the twentieth century, when the man himself was head of the art school.
It appears that they had first been collected together for
display in 1933. Albert’s widow apparently saw to it that his wishes were met
and so the pictures ended up in the keeping of the local authority. The
paintings reflect the artist’s love for his home town and reminded me of quite
similar work by Harold Hopps on the Wirral. The display took in 161 paintings
and I naturally zoomed in on the two railway images. This initially struck me
as a significant under-representation, given the way that the railway very
noticeably marches across the centre of town on its dramatic viaduct. Maybe
Buxton viewed the railway rather disparagingly, like Wordsworth and Ruskin had
done, and so chose to largely ignore it. Maybe it just didn’t fit with his
mission – to record what was soon likely to be lost, rather than what was
comparatively new.
The two pictures concerned are historical depictions of the nearby
Mansfield and Pinxton Railway, a very early horse-drawn set-up dating from
1819. The M&PR had been needed to join Mansfield to the Cromford Canal to
take out minerals, malt and manufactured goods. In the nineteenth century coal was
actually brought in to Mansfield this way. For most of the twentieth century, and
once the Notts coalfield had been developed, it went in the opposite direction
and on a much larger scale.
Buxton’s railway pictures are of the Level Crossing,
Belvedere, showing Signalman’s Cabin and Passenger Coach, Horse drawn, on the
Mansfield-Pinxton Railway. The crossing was called Warrens Box after the name
of the keeper. The reprinted 1933 blurb adds that [in the days of steam that followed] “The gradient above this box
to the station was so great that the engines were taken off and the trains ran
down to the station on their own weight. On the approach of a train Warren rang
the bell seen on the left of the box. When the new station was made the road
between Belvedere and Portland Street was lowered and the level crossing done
away with”. The other view is of a horse-drawn passenger coach before the line was
taken over by the Midland Railway in 1847.
Though Buxton is credited with telling the story of two hundred years of Mansfield’s history of both its buildings and its inhabitants, one wonders how much he drew on earlier photographs or simply his imagination to bring them to life, in his intimate and familiar style.
No comments:
Post a Comment