The exhibition at the Harley Gallery near Worksop lasts until 3rd January 2027. Entitled Coal Mining Stories, it includes art work by former miners like Brian Morley, whose booklet is also on display alongside some examples of his drawings. The one showing the underground railway that took miners from the foot of the shaft to the coal face reminded me of my only visit to a working pit, at Bentinck colliery in the 1980s. It seemed to go on for miles and remains the strangest railway journey I’ve ever taken. Two others that come close were the Post Office Railway, which is part of their London museum and which was a tad more claustrophobic, and the ghost train at Wilkie’s outdoor fairground in New Brighton during the 1950s, which probably wasn’t nearly as scary as our coal mine experience during a “fact finding” mission for geography teachers that primarily taught us how lucky we were to be in the classroom for a living, even though we may not have thought so at the time.
Mike Priestley's Railway Heritage Blog
Friday, 25 September 2026
Saturday, 19 September 2026
Wide Angle View in Liverpool
Tate Liverpool is currently closed for renovation and has temporarily moved across the dock to RIBA [the Royal Institute of British Architects] North at Mann Island. The photo exhibition, Wide Angle View, is well worth a visit, nevertheless. It’s based on the nine pamphlets that made up the Manplan series, dating from 1969/70, which investigated the relationship between modern architecture for residential areas and the impact it was having on social spaces for the people who lived there.
Those of us who have lived through the upheavals in our
inner cities that followed the post-war years in the 1960s, remember only too
well the impact those changes had on our urban landscapes. I suppose that my
overall conclusion would be that much that was of value was removed, that much
that replaced it was second-rate from a number of perspectives and that the
inhabitants were not always prioritised in the way that they should have been.
Awards for modern architects flowed, but in many cases, their flawed schemes
simply left problems for those who followed them to address.
The work of a series of urban street photographers from the time shows how bleak and depressing these grey, concrete urban landscapes sometimes became, while many communities were decimated, relocated and continued to struggle. The work that stood out for me was by Ian Berry. Much travelled, he made his reputation in South Africa recording politics and social strife, later moving to London where he photographed city life, including a number of railway-related scenes, like the overcrowded commuter train pictured here. Sadly, Ian Berry died just last Sunday, aged 92. I’m pleased to have caught up with this fraction of his work at such a poignant moment.
Monday, 14 September 2026
A Man Down at Llangollen
We were one short yesterday on the Llangollen and Corwen Railway. They were, quite rightly, busy celebrating their 50th anniversary as a heritage railway, but, initially, at least, we had another priority. Some of Andy’s ashes were to be disposed of appropriately on the railway. It was his favourite line and he had visited it many times during his lifetime, which subsequently coincided with the fifty years of the re-born L&CR. It seemed like a good fit, therefore, to be celebrating our good friend Andy’s life on the same day.
John arranged a footplate moment for us all, even clearing
it beforehand with the managing director, but also with faultless and
considerate co-operation from the footplate crew of ex-GWR 2-8-0 No 3802, for
which we were very grateful, as we effectively interrupted them in their
duties. Andy’s ashes were duly delivered to the firebox on the fireman’s
shovel. In retrospect, I can’t think that he would have preferred it any other
way. That concluded, we were not just a man down for the rest of the day, but
for the rest of our lives, too.
Andy certainly added something to our twice-yearly, lads’
days out on the trains, generously dispensing his extra-large packets of
peanuts and plentiful supplies of Tunnock’s caramel wafers. Deliberate and
emphatic pronouncements, usually issued in a way that was not exactly expecting
a response from anyone else, were interspersed with examples of quirky good
humour, sparingly used, but always lurking there and waiting for the right
opportunity to further lighten the day.
Andy brought us here to Llangollen after the railway had
been closed by BR in the mid-60s and before it reopened fifty years ago this
weekend. He drove us all round this part of North Wales in his parents’ Hillman
Minx. We found our way up to Brymbo, when the tracks to the steel works were
still down and being used, as well as to the old lead mine site at Minera and a
pub near World’s End, that I can’t find a trace of today during a brief search.
Andy was right about the L&CR, too, because it is
special. The Dee-side setting is as picturesque a route as any offered by the
other heritage lines. Temporarily hampered by financial woes that threatened
its continued existence, the railway has bounced back magnificently in more
recent times. They get their PR spot on. They are most welcoming and
accommodating at every turn, and their online presence provides a lesson to
other comparable set-ups in how to relate positively to their potential
customers.
Friday, 4 September 2026
Norman Cornish
Entitled A Life in Sketchbooks, this exhibition at the Bowes Museum runs until 3rd January 2027. It follows on from another exhibition of his work, Kith and Kinship, which also included works by LS Lowry, at the same location two years ago. Based on the 269 sketch books he used while out on the streets during his lifetime, it is a fascinating insight into the industrial north east of England before de-industrialisation so radically altered the urban landscape for ever.
Born in Spennymoor in 1919, Norman Cornish worked as a coal
miner from the age of fourteen, whilst simultaneously developing his
distinctive artistic style, with which he recorded the community he grew up in.
His work is very evocative; stressing characterful personalities and their inter-relationships,
communicating a jostling, physical mutual support and that feeling of
camaraderie and intimacy that so typifies the former mining areas. He also
paints the urban landscape itself, which already seems to be a world away, even
to those of us who can remember it well, as we looked on from the outside.
I’m somewhat ambivalent about Bowes Museum, itself, which we have visited a number of times. On the one hand, I really like their smaller gallery temporary exhibitions like this one on Norman Cornish. They are clearly laid out, clearly explained, thoughtfully lit and manageable in terms of available time. The café, too, is way, way above average. I find the whole presence of the place so cavernous and overbearing, though, and the large hall which is full of classical paintings from head to foot - and it’s a very tall room, seems to me to be just not the way to show off works of art, assuming, of course, that they are worth showing off in the first place. Nevertheless, I’ll keep a look out for future exhibitions. Its not far off the A66, which seems to have become a very familiar route to the hills for us over the years.
Thursday, 3 September 2026
The Eden Valley Railway
You can see the lines of carriages from the A66, as we have done a number of times as we have whizzed past on our way to the Lake District, on days the EVR has not been open. Last week they were running trains on the Monday, in the form of their ancient-looking but in fact 1957-built, BR Southern Region Class 205 Thumper unit DEMU No. 205009, so we took the opportunity for a look round. The staff were welcoming and the usual facilities were available, but it was still rather quiet for a pleasant day in the school summer holiday.
The original railway was also part of the trans-Pennine Stainmore
route from Tebay and Penrith to Darlington. This particular resurrection has
not got very far out of Warcop station on its way to eventually re-establishing
the line as far as Appleby, but the signalbox still stands on the platform and
is open to visitors and there is plenty of stock to inspect in the sidings
including a Class 47 and a number of diesel shunters. The return trip to the
current terminus at Southfield is 2.2 miles away.
Some of these ventures obviously struggle more than others.
I guess that’s down to acquiring the numbers of volunteers with the right
skills, made more difficult if your location is relatively remote and you are
not in a tourist area. The EVR seems to be more on the way to places rather
than an obvious attraction in its own right. There are clearly some very
dedicated individuals involved in all these projects, but I do wonder how
dispiriting it might be to see rather piecemeal progress being made as time
inevitably ticks by.
The heritage railways can be very different from each other
in terms of the visible progress they have made over the decades. This reflects
their location and proximity to potential customers as much as anything else,
though a multitude of factors are actually involved. It can also be affected by
the existence of, or the potential for, a direct link to the national rail system.
Some have made enormous strides in living memory and others not so much. They
all rely heavily on volunteer labour, too, of course, which may or may not
always be either available or forthcoming.
Where there is a tangible goal in sight, like the re-uniting
of two formerly linked stretches of line or the reopening of a junction station
on the main line, I can see why there might be that added determination to make
things happen. It may also help with fund raising, as the concern can sell an
idea that people can more easily identify with and one which can become a reality
within a relatively short time.
All the heritage railways seem to have significant numbers
of stalwart figures amongst their ranks, who give limitless amounts of their
time, perhaps without even a thought about the end game. I have enormous
admiration for these unsung heroes of the preservation movement. Without them,
we would not have the recognisable and successful railway heritage movement
that so many of us value and cherish.
Tuesday, 1 September 2026
Threlkeld Quarry and Mining Museum
It was at the platform on Threlkeld station in the summer of 1962, that I climbed down from the footplate of the Ivatt Class 2 after what is still one of the most exciting events of my life. The driver had summoned me up front at the first stop after leaving Penrith and I sat on his seat while the loco bucked and shook its way towards Keswick. Totally exhilarated by my experience, I dismounted at Threlkeld in case there were any inspectors around at our destination, as was explained to me at the time. It was the start of our family summer holiday but nothing that happened during the rest of the week could match it, though bunking round Carlisle Canal and Kingmoor sheds probably came quite close, come to think of it.
Threlkeld has changed quite a bit since then. The line has
closed and the station is no more. Up the hill a bit, though, the granite
quarrying operation that was still open in the 60s has left plenty of reminders
behind in the form of a mining museum served by a steam-run, two-foot gauge
heritage railway which is very much open for tourists, in spite of being
perhaps a little off the normal beaten track within Lakeland. The original
nineteenth century quarry was not rail connected but after reopening in 1949 a
line was laid from the quarry sites down to the “main line” at Threlkeld, where
there was also a concrete factory. Granite was excavated for railway ballast
and road building, too. When the enterprise closed for the second time in the
1980s, much of the site was still occupied by abandoned machinery and most of
the old buildings still stood. It then opened again, this time as a playground
for those who want to spend their leisure time operating diggers and excavators,
for which this was obviously the ideal location. They still come for the
weekend twice a year to pursue their hobby in this most realistic of settings.
The railway operates one steam locomotive, in addition to
the diesels. The 0-4-0 saddle tank, Sir Tom, named after Sir Tom Callender of
British Insulated Callender Cables, was built in 1926 by Bagnall of Stafford.
It formerly worked at BICC’s Kent factory site. It takes the selection of open
and covered carriages up the half-mile of track - including one steep section
at a 1 in 20 gradient - to the top quarry. There are plans underway to extend
the railway in the near future.
The mining museum is very good. They have a wealth of rock specimens showing the different uses made of the granite, as well as geological maps and diagrams explaining the Lake District’s rich history when it comes to deep level mine working for a wide range of minerals, including in the village of Threlkeld itself. From here they burrowed deep under Saddleback, the mountain that looms over the valley to the north. Extra funding has been acquired for a new museum centre nearer the entrance to the site, which is now well under way close to the old Threlkeld station platform and the track bed of the Cockermouth, Keswick and Penrith Railway that I had the great pleasure of travelling on a number of times during the summers of 1960 and 1962.
Monday, 31 August 2026
Lakeside and Haverthwaite Railway
It’s been a long time since we travelled on this one. In the intervening half a century, or so, the L&HR appears to have just carried on doing its own thing and doing it very nicely. Its own thing is taking full advantage of its Lake District location and selling itself very effectively as a tourist railway. Proximity to the honey-pot sites at Windermere and Bowness helps in this respect and the link with the lake ferries is a key component. Foreign visitors and coach parties are very much part of the formula.
The same three British Railways survivors from the age of
steam are still here but although the Ivatt Class 2 was resplendent in the
yard, she too was receiving attention, whilst the two unique Fairburn tanks
were both out of action in the sheds. It was left to the Hunslet WD industrial No.
25 Sapper, lined out in an attractive Kent and East Sussex Railway livery to
provide passenger services on the day.
The short journey up the side of the River Leven passes the
important industrial heritage site at Backbarrow, where remaining evidence of
eighteenth-century iron making is gradually being appropriately preserved. The
hotel we stayed in there was once a factory making the blue dye used in soap
powders. I came here by coach as part of a six-form field course based near
Carlisle in 1966, and remember our geography teacher, Brian Gordon, pointing out
that the windows of the factory were all stained blue as a result of the
no-doubt rather uncomfortable working practices taking place inside.

































