It’s been quite a year for railways on TV. We have had the
well-chronicled Return of the Flying Scotsman [BBC4, 6/316], the staccato, uncomfortable
[and, for some, downright indigestible], Train Spotters Live [3 parts, BBC4, July
2016] and the admirable series about what the Victorians ever did for us as far
as trains were concerned [Full Steam Ahead: How the Railways Built Modern
Britain, [6 episodes, BBC2, July 2016].
My stand out moment from that series was when Dr Ruth
Goodman wanted to stress the impact of steam railways on our way of life,
comparing it’s influence by way of an indignant put-down for the computer, “The
internet…. Pah!”
Incidentally, in case you were wondering who fixed the map
of the old Great Central Railway to a table in the waiting room at Loughborough
Central station with Bluetack, enabling Dr Alex Langlands to discuss Sir Edward
Watkin’s grand design for an international railway via a channel tunnel, an
idea that was realised a century after his time - it was me.
The latest contribution to the BBC’s current infatuation
with the railways, Railway Nation: A Journey in Verse, [BBC2, 1/10/2016, available
on iPlayer for the rest of October] invited 6 poets to follow in the tracks of
WH Auden’s The Night Mail between Euston and Glasgow, 80 years after the film first
appeared.
Each poet took a section of the journey to observe their
fellow passengers and come up with their own interpretation in verse. It worked
really well. It was sensitive, perceptive and amusing. It managed to capture
some reflective, wistful and sometimes very moving moments in the travellers’ lives,
during what, on the face of it, what would otherwise have been a fairly mundane
transit from A to B, and soon forgotten.
It was absorbing television. It succeeded in recording very
personal sentiments from its contributors, without fuss and any apparent
interrogation. It was a carefully crafted piece of work. It must have necessarily required
considerable logistical preparation to package the whole event
into a single trip, and it benefited from some very thoughtful editing.
Oh, yes, and the poems were OK, too, but then it was a big
ask to match up to the original.
Flying Scotsman, Bewdley, Severn Valley Railway, 22/9/16.
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