“I have never been to Perth station”, I remarked to my
daughter, when she informed me that her work was taking her there by train.
Indeed, I never got to Scotland at all in the age of steam. I had to rely on
railway magazine photos by WJV Anderson [Bill, to his friends, including Les
Nixon at our recent railway club meeting].
Perth station was designed by Sir William Tite and opened by
the Scottish Central Railway in 1848. It had an overall roof, part of which
still stands. I knew it through the railway press as an impressive junction
station, where ex-LM and ex-LNER named engines rubbed shoulders.
More recently, I had come across two paintings by George
Earl in which he had recorded the upper classes on the platforms in the 1890s at
King’s Cross and Perth, prior to and then at the end of the shooting season,
respectively. Nineteenth century railway stations provided new opportunities for
artists to witness a mingling of the social classes of the kind that the upper
classes had perhaps gone out of their way to avoid [excepting those in direct service,
of course] and in spite of the provision of first-class waiting rooms.
Aware of my interest, my daughter kindly took a couple of
pictures to remind me of something that remains on my “must do” list for now.
The Caledonian Sleeper stock is double-headed on its journey between Inverness and
Euston. She also noticed State Car No. 1 [formerly named “Amber”] from the
Royal Belmond Pullman set. It must be in the blood.